Scott Brady
Founder
Many of the proplems associated with traditional film photography have been resolved in the digital darkroom. However, there are a few challenge that remain.
The first is glare and contrast, which can be solved in most situations for the a circular polarizer. I have used a polarizer for many years now in both mediums with good success.
This image is an example of the use of a polarizer to make the clouds "pop" against the sky.
The next problem is the use of a Graduated filter, which is also known as a split nuetral density filter. These filters allow the photographer to "stop down" a bright sky. I have begun research on these important filters and will be purchasing a 2 and 3 stop ND graduated for my Cokin filter system. I will take a few "test" shots and share the results with the forum.
I am also curious of anyones experience using these...
The first is glare and contrast, which can be solved in most situations for the a circular polarizer. I have used a polarizer for many years now in both mediums with good success.
This image is an example of the use of a polarizer to make the clouds "pop" against the sky.
The next problem is the use of a Graduated filter, which is also known as a split nuetral density filter. These filters allow the photographer to "stop down" a bright sky. I have begun research on these important filters and will be purchasing a 2 and 3 stop ND graduated for my Cokin filter system. I will take a few "test" shots and share the results with the forum.
I am also curious of anyones experience using these...